Jesse McKinley writes about The Tyranny of the Standing Ovation and notes that even shows that suck, die, and commit suicide are getting standing ovations these days:
The phenomenon has become so exaggerated, in fact, that audiences now rise to their feet for even the very least successful shows. Recent Broadway flops like "Jackie Mason's Laughing Room Only," which closed in less than two weeks, "The Oldest Living Confederate Widow Tells All," which closed on opening night, and "Bobbi Boland," which closed in previews, all received standing ovations.
There seems to be a reason for it . . . folks are paying so much for tickets that they feel they have to stand up for the ovation in order to create the impression they are having the experience they paid for:
Most Broadway veterans trace the change to the steep rise, over the last decade or so, in the cost of a ticket. "I guess the audience just feels having paid $75 to sit down, it's their time to stand up," said the playwright Arthur Miller. "I don't mean to be a cynic but it probably all changed when the price went up." Just how those rising prices produce rising audiences is not, however, an easy question. John Lahr, the theater critic for The New Yorker magazine, sees a complex psychological dynamic at work. "I think it's generally an attempt by the audience at self-hypnosis," he said. "They think if they go to a show and stand at the end they've had a good time. They're trying to give themselves the experience they thought they should have."
This is related to what Robert Cialdini calls the Law of Consistency, one of the nine laws of influence where a person will behave consistently to what they have said or done before. So, if you want folks to do something, get them to say they will do it or that they believe in it. This, coupled with the Law of Expectancy where folks will generally have the experience they have expected to have and you have stupidity in the aisles where folks are shelling out a bunch of bucks to see a great show and rather than admit they've just witnessed a crappy show, they try to sucker themselves into believing it was great by standing up and clapping with the rest of the lemmings.
Too bad, but true.
Of course, it's also too bad that the general quality of live entertainment has fallen to a degree where even trash receives accolades (while closing) . . . albeit, taped and filmed entertainment is doing pretty well . . . we seem to be in one of those cycles where Spectacle is the element of Aristotle's set from Poetics that is holding primacy . . . spectacle and tits and ass . . . with no regard for plot or craft . . . of course, I like spectacle and I love tits and ass . . . I'd just like to see some skill in there before leaping to my feet and pounding my mittens together.
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. . . hypnobirthing and other focused trance alternatives